Uncategorized | Posted: November 4, 2009
Opening reception is Friday, Nov. 6, 5-9 p.m.
Uncategorized | Posted: November 4, 2009
Opening reception is Friday, Nov. 6, 5-9 p.m.
Uncategorized | Posted: November 4, 2009
Uncategorized | Posted: November 4, 2009
Places I’ve Never Been, Matt Flint, oil, alkyd and pencil on canvas, 35″x29″ Matt Flint of Lander is one of the six Wyoming artists featured at the Wyoming Arts Council
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Uncategorized | Posted: November 4, 2009
Places I’ve Never Been, Matt Flint, oil, alkyd and pencil on canvas, 35″x29″ Matt Flint of Lander is one of the six Wyoming artists featured at the Wyoming Arts Council
Continue →
Uncategorized | Posted: November 4, 2009
Clay Paper Scissors Gallery & Studio: Reception upcoming! Wyoming Views artist reception, Friday, Nov. 6, 6-8 p.m., in downtown Cheyenne. This show features four Laramie artists: Joe Arnold, Wendy Bredehoft,
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Uncategorized | Posted: November 3, 2009
Listen; copper, earthenware, encaustic, mica, teeth, resin; 10.5”x14”x8” Leah Hardy of Laramie is one of the six Wyoming artists featured at the Wyoming Arts Council Biennial Fellowship Exhibit at the
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Uncategorized | Posted: November 3, 2009
Listen; copper, earthenware, encaustic, mica, teeth, resin; 10.5”x14”x8” Leah Hardy of Laramie is one of the six Wyoming artists featured at the Wyoming Arts Council Biennial Fellowship Exhibit at the
Continue →
Uncategorized | Posted: October 30, 2009
“Dancing Partners: Happy Feet,” Florence Alfano McEwin, oils on canvas, 46.25” x 46.25” Green River resident and Western Wyoming College art professor Florence Alfano McEwin is one of the six
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Uncategorized | Posted: October 30, 2009
“Dancing Partners: Happy Feet,” Florence Alfano McEwin, oils on canvas, 46.25” x 46.25” Green River resident and Western Wyoming College art professor Florence Alfano McEwin is one of the six
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The Wyoming Arts Council believes that experiencing the arts should be accessible for all, including people with mental and/or physical disabilities, older adults, military/veterans, people living in institutions and those who lack access to the arts due to geographic isolation, cultural difference and economic hardship.
